Witchcryer are a traditional doom and heavy metal unit that have been fermenting in the Austin heavy metal scene for a few years. Their efforts included a demo and a self released full length, the latter which came out in 2017. On January 19th, 2018 they re-released their first full length album called Cry Witch on Ripple Music. Witchcryer's style is a fusion between the classic dreary tones and vivacious rock jams. Take the high octane rock n roll of a band like Blue Cheer or Uriah Heep and brew it in a pot with the dreary melancholy of a band like Pentagram or Witchfinder General. In fact, so influential are Witchfinder General to Witchcryer's sound that Cry Witch features a cover of the band's titular song.
Vocalist Suzy Bravo draws upon her charm and conjures a feral potency on the recording. Her lines slither along sludgy riffs provided by ex-Earthen Grave guitarist Jason Muxlow, creating a dynamic combining sizzling melodic elements. Witchcryer can write animated rockers like "Ricochet" and dreadful monlothic down tempo killers like "The Preying Kind." One thing I found on the album that helps move it along is how songs flowed together and complimented one another. Playing to their strengths, the band does nothing over the top or out of their element. Cry Witch is 36 minutes of pure doom rock backed by exciting grooves and powerful rhythms. Cry Witch features cover work from the artist Becky Cloonan, who has dabbled in heavy metal art before, but is also widely known and respected for her work in comics including Batman and Conan The Barbarian.
Despite being called Grimmest Hits, this is not a greatest
hits nor compilation album. Zakk Wylde has returned for twelve new tracks on
his band’s tenth sojourn through the audioverse of hard rockin’ rollin’ bad
boy blues.
I’m always excited to see which roads Black Label Society
cross next, and I’m really happy with the finished product on their new release
through eOne Music. My favorite BLS albums are Stronger Than Death and 1919
Eternal, so when it comes to the sound I look forward to it’s these two albums
that always cross my mind when drawing a comparison.BLS proved themselves as more than just a
side project for the guy who played with Ozzy, because Zakk wrote a string of
five solid albums between 1998 and 2005. These were roller coasters with jaw
stomping juggernauts, but also dipped low into sweet ballads and testimonials
that defined the band’s character as more than just riff fueled mountains of
testosterone, and most importantly the execution was spot on. Grimmest Hits
caters to that vision, and almost has a semblance of Pride & Glory mystique
to it on several tracks, also.
Although BLS has always been about tapping into different
ranges, the last few albums have missed that polished sweet spot where
everything just melds together. For instance, Catacombs of the Black Vatican had some strong songs from a
formulaic standpoint, but they also lacked the energy for a lasting impression.
In other words, something feels like it was lost between creating and recording
the music. On the other hand, Order of
The Black is the exact opposite; the songs sound loose and uninspired, but
the energy on the recording is great. There may have been a few blind spots in
its creative vision, but there’s no mistake that Black Label Society went all
out with a purpose to kick ass in 2010.
So if you share that opinion of Black Label Society’s recent
offerings, you may be relieved to discover that Zakk has rediscovered the
fountain of fresh mana. The music is refreshing and full of genuine energy. Grimmest Hits is going to stand out
differently lined up against many of the other Black Label Society albums, and
that’s a great thing. There are good harmonies and strong leads that range
between soulful teary eyed southern ballads including an impressionable “The
Only Words”, and face melting dungeon busters like “Room of Nightmares.”
Even at its heaviest, Grimmest
Hits never loses focus of that organic melancholy that makes Wylde such a
versatile and strong blues writer. There aren’t any solos that sink themselves
in overambitious attempts to be wild. The music never loses itself in one
extreme or the other. Wylde does such a great job of leading us along with
excellent grooves and then dips down into somber hooks, for example on tracks “A
Love Unreal” and “Disbelief.”
Black Label Society released Grimmest Hits through eOne on January 19th.
