Let It Breathe - Let It Breathe

Let It Breathe’s self-titled LP kicks buckets and drops organic riffs rich with holy Sabbath power all over the doom metal community.

One of the first rules I made for myself as an independent writer was that I would only write reviews for bands that were genuine. I didn’t care if I thought the music was lacking in some areas, but the bands had to at least be more than just a one dimensional image. Let It Breathe fit that criteria; they’ve definitely put a focus on really feeling the music that they put out there instead of just writing songs to be ‘cool’.

Let It Breathe hit depths even when you’re not expecting it. The tones are submerged in deep fuzzy feedback without disrupting clarity. The music soars with great melody and honesty doesn’t sound like anything one might normally expect out of a debut album. Perhaps the reason for that is in the band is technically a group of old timers and die hards from the 90s with something to prove, which might also explain the grunge meets Sabbath aesthetic I get from the LP. Stylistically the band hits pockets of Melvins, Soundgarden, Black Sabbath, and even a little bit of hardcore inspired punk behind the drum kit.

If there is anything I could say against the LP it’s that sometimes it does get a bit monotonous towards its second half, but I don’t think those are faults which cut Let It Breathe off from standing on its own two feet. For the most part Let It Breathe shines writing thunderous rock jams. Its the lengthier tracks where I can feel the music stretches too far from its fundamentals.

My final analysis is that Let It Breathe is a real breath of fresh air that comes around every so often in the metal scene. Three dudes with vision and heart deliver a solid album that may not make as much impact as many of the other albums filtering through the rubbish right now, but I definitely think it has it where it counts and die hard fans of the genre should take notice.

Lowdrive - Roller

Roller kicks your teeth in from the get go. There is nothing soft or cute about its opening track “The Last Stand”, a call to arms amidst groovy metal riffs. Much the same can be said about track deuce, “Roller”, the eponymous rocker fueled by high octane ass kicking southern style heavy metal. The music also has some strong similarities to the blues based grooves of 90s grunge and alternative hard rock. You may find yourself making several comparisons to Stone Temple Pilots and Deliverance era Corrosion of Conformity. Between the feel good vibes and good ol’ ass kicking jams in Roller, this is a real gem with a really authentic and experienced group of guys behind the helm. In a metal scene that's almost entirely over saturated with bands dependent on gimmicks, Lowdrive are creating pure old school heavy music from the heart.

 

Catch the breeze, light a doobie, have a beer and take a trip with Lowdrive.

Merlin - The Wizard

Merlin’s The Wizard is a fun and exotic album that stretches the idea of doom metal. The introduction of saxophone expands the capabilities of this storied genre to a whole new dimension. This is the brilliant kind of craftsmanship that makes an album stand out for its daring creativity. From the opener, you’ll notice that this is a band which is going to do things differently and do them well.

After you notice the groovy sax on the first track “Abyss”, you may notice the fluid interwoven follow up with the album’s next track “Gravelord.” The Wizard is a conceptual album that tells a tale and each track is intentionally set up so that you listen to this whole release sequentially. With that being said, “Gravelord” also shows what this band is capable in terms of writing awesome lyrics and catchy rhythms. The song has spellbinding melodies and an otherworldly guitar solo. The saxophone gets jazzier on “Sage’s Crystal Staff”, a shorter track but certainly a powerful addition for its incredibly hypnotic sax solos. It is backed up by the heavy foreboding song “Golem.”

The tempo is traditionally slow with synths and organs to that help to establish a thick psychedelic and at times funeral ambiance. When the sax and guitars work in tandem such as on “Iron Borne”, the band is going to a place no other band has touched in my recollection.

The grooves on The Wizard are so freaking amazing and spontaneous. What an ass kicking and unforgettable thrill ride. You’ll be relieved to know the album is only about 39 minutes long, a perfect cut out time to avoid fizzling out. Fans of anime may consider this the Cowboy Bebop of high fantasy. Drop the stellar crew in a Dungeons & Dragons setting, and this is the album you will get. At least I’m certainly drifting off into space sitting here listening to this. Merlin, please don’t let me come back down.

Album released: January 26th 2018
 

River Cult - Halcyon Daze

River Cult’s brand of psychedelic music is a fresh and intense sonic stampede that oozes eclectic vibes all over every passage of rock music. The brilliant odyssey of Halcyon Daze keeps going from one end to the other in a euphoric blend of atmospheric jams and pummeling eargasms expertly crafted into a fluid amalgamation too unique to describe in simple terms.

River Cult's guitarist and vocalist Sean Forlenza is an electric buzzsaw shredding wild outlandish fuzz on top of bad ass doomy riffs. His vocals are a blend of soulful eerie blues with raspy tones that somehow make the thought of swallowing glass and singing sound sexy. Layered underneath the band's artistic surface is a very raw and punk driven sound that I can not help but admire. Drummer and bassist Tav Palumbo and Anthony Mendolla respectively bring life to a dominant and loud rhythm section. Each musician in the band should be credited for their ability to envision and deliver so many styles working together without compromising the core of their music which is ultimately that organic hard metallic sound.

This three piece from Brooklyn has a very strong grasp on their creative vision. River Cult’s pedigree is somewhere on the threshold with early grunge era bands like Green River and the iconic underground bulldozers of stoner rock The Melvins. At times the band travels into such epic landscapes of musical ambition that they ascend into the territory of classic post-genre bands like Explosions In The Sky, ISIS, or Russian Circles. Also, there is definitely a very classic trippy vibe behind the guitar work as well, as you’ll notice if you’re a fan of ‘70s rockers like Peter Frampton, Eric Clapton, and Joe Walsh.

River Cult rotate between brooding melancholy to wild and carefree rock tracks charged by quick paced melodies. I would definitely recognize them as a band that is attempting to do something different and fun in the stoner rock scene. Due to the length of each song, the band is able to manage many different themes and styles with fluid ease, which makes for great listening and many different emotions. Every track is an amazing journey and nothing stalls out to become filler.

I would strongly recommend River Cult if you're into this sort of music or even if you're looking for something new. River Cult have definitely put the entire stoner rock scene on notice.  The album dropped on February 9th, 2018!

Woodhawk - Beyond The Sun

Woodhawk
Beyond The Sun (Independent)

Woodhawk provides an exciting and fundamentally rockin’ voyage through thick waves of sonically juicy grooves and jams that take off into radically trippy melodies. Unearthed under fuzz and down tuned walls of audible shock waves is the heart and soul of old school bluesy jams. The songwriting on this album could best be described as magical. From track to track, Woodhawk provides something righteous and undeniably contagious. Layers upon layers of musical talent open up a panorama of sounds traveling lucidly around each riff and hook. The bones holding Beyond The Sun up are funky, eclectic, and driving around an ensemble which includes organs and synths; Beyond The Sun isn’t just a rock album, it’s art with an astral supercharge.

Beyond The Sun was released in April 2017, and you can check them out on their bandcamp!